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12 posts tagged slap 6

SLAPover is a creative lab for 7 artists to create, work and sleep in a space for 48hours to experiment collaboratively and create new work. SLAPover was held on the 30th and 31st of October with a public sharing on the 1st of November to coincide with the Illuminating York festival.
Film by: 
www.alternative-pictures.com

ROBERT FOSTER

I am interested in the tragi-comic, and the way it is possible to present the audience with propositions that can be viewed as playful, or disconcerting, to prompt questions of spectatorship. These outcomes are often durational, or participatory, and are influenced by the Theatre of the Absurd and slapstick comedy.

VIJAY PATEL 

Vijay Patel is a performance artist based in London. He makes performance which derives from his cultural identity/heritage. His work has been presented in a variety of forms including: Live art/Theatre, Cabaret and Installations/Audience participation.

ANDREAS LOUCA

I am a London based artist. My main work is consisted of “Gestures” which are series of visible processes that challenge reality, performativity and human intentions. More of “body-installations” than performance works, “Gestures” bring both the performer and the viewer into uncomfortable and awkward positions.

AYMEE SMITH

An artist drawn to print and publication, especially the potentials of these within the ever-advancing digitisation of the world, and their uses within both collaboration and performance. Intrigued by the limitations of the page, the relationship between the full and blank page, and writing that cannot keep still. 

RICCARDO ATTANASIO

I am an artist working extensively in a wide range of  fields: Painting, Video, performance art and dance. Lately focussing much more on performance art and it’s “second reform” documentation. In Layman words, I am still able to play as a child although I really know what I am doing.

KALLUM CORKE

Kallum is a video-maker and visual artist whose work moves freely between digital and traditional mediums, routinely focusing on the destruction of work and the introduction of glitches. Regardless of medium, he attempts to push technology to its limits in efforts to explore its effectiveness as narrative or documentary record. 

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